Search: Starring David Morrissey

Catherine Tramell is a great character and Stone pulls it off perfectly.

The film has some undoubted visual flair.

Nicolas Cage plays against type, retaining his movie star persona, which is not the same as being convincing in the role of a man who lives for opera.

The character design seems off somehow, as if they've managed to find three separate uncanny valleys to pull new species out of.

Centurion cannot escape the huge shadow cast by previous swords-and-sandals epics.

As a romantic comedy, this cringes more than it cracks up.

There is something a bit bland, a bit kitchen sink, a bit telemovie, about this portrait of the artist as a young man.

There is potential in the scenario and a game cast, but Farr's film is hobbled by some clunky execution and tonal uncertainty.

Portraying a woman of such character is no easy task, and it's unfortunate that the task has fallen to Natalie Portman.

Many of the performances outshine expectation.

It's awful, yet is so well directed and acted that you can't take your eyes off it, no matter how much you want to.

Gives 300 a run for its money as one of the funniest films this year.

Simon Cellan Jones's first feature is an interesting TV drama. Cinematically, however, it leaves much to be desired.

Despite good performances all round (Gregory is very sympathetic), it does get boring.

If you've ever felt helpless in the face of political change, Taking Liberties can do something about that.

This fine array of actors is charged with safeguarding a plot as weak and confused as a newborn kitten.

Quite possibly the best of its kind.